If You Can Both Eat And Sleep, You Know You're Good

Article: Otakon 2003 Report

A run-down of the adventure that is Otakon, 2003-style

Article by: Bad Jew
look at me!

Article rating: PG-13

Otakon 2003 taught me that my place in life is as a professional hanger-on. You know, one of those guys who makes up an entourage, whose point in life is to soak up the excess fame of those they hang around, like that Guy Ritchie who proved Madonna's fame is sexually transmitted. I just wanted to say that so this article will have a bit of educational value ... and now we move on.

Thursday

This was my first time to drive a major road trip, so I was a bit nervous of involving us all in fiery death and thus delaying updates to this site even further. We all made it down to the hellhole known as Baltimore in one piece, but apparently I drive too slowly in the left lane (ed note: true), but if 85 mph is slow then I don't want to know what's fast, dammit. Unlike last year's con, we were prepared this time food-wise--and by prepared, I mean prepared to live underground in Baltimore and live off our stash for five years to come out 20 pounds heavier. Since Baltimore has no food (see below), always remember to bring your own.

As for the pre-reg line, here's a quick random fact for you: a city block is one kilometer long, and half of the Baltimore Convention Center takes up one city block. The line, at its peak, circled half the convention center. For the un-mathematically inclined that means the line was 4 kilometers long, or, using the correct SI system of measurement, 2.4 miles. A 2.4 mile long line of otaku--and only the otaku who pre-reged, and only the otaku who pre-reged and wanted to get their tickets a day in advance. Yah, this con is pretty big.

That evening we went for a quick trip around the Inner Harbor, but you know what? THERE WAS NOTHING OPEN! I ask you this--how does a CVS or McDonald's propose to get money when they close at 8 o'clock at night? The famous Afghan Kabob had a sign saying that, due to the nocturnal otaku in town, they were going to stay open until 10. Ah, Afghan Kabob ... they are truly kings among men.

To sum up, Baltimore is a city populated by reverse vampires. We're through the looking glass, people.

Friday

I cosplayed this year. Not that it was a good cosplay, by any means--if this was a school pageant, I would win the "made without parental involvement" award they give to the kid whose parents are drunks. Nevertheless, I was cosplaying as Remiel. For those of you without a photographic memory, Remiel was the 5th Angel from Evangelion (the 3rd Angel to appear in the show) and was the giant geometric shape that almost destroyed NERV HQ. Of course, most people thought I was some sort of abstract performance art piece, and while one person approached me to say how cool I was and to request a picture, most simply asked what the hell I was. I also got my ass kicked by a Shinji cosplayer who was also an amazing artist and from whom I bought an awesome picture of Kensuke in the plug suit his dad made him. (Ed note: This artist, named Sarah, is also one of the cutest people ever to exist.)

This year, the big thing for us was Artists Ally. Sure, the Dealers Room kicked so much ass that it ran out of ass and had to settle with kicking torso, but you can get any of that stuff online if you look. Artists Ally, however, gives you access to amazing talent who will draw in exchange for a few dollars or some peanuts you found on the floor. I picked up some FLCL doujinshi, some random pins, and the newest issue of my favorite pretentious fanzine. The editor actually tried to convince me that Wolf's Rain is a fantastic show, giving me arguments such as "it's not about the goal, it's about the journey" and "it's a symbolic representation of the human desire for freedom." I countered by saying it's about four angsting bishounen, walking places and angsting about it.

Not that I didn't go to the Dealers Room; things, after all, make life complete. I picked up two new Pillows albums, at an average price of about 3 dollars a song ... but the Pillows simply make life better, that's all there is to it. A Nami plushie now joins me in bed every night. I also came closer to my goal of having an entire wardrobe of witty and/or anime-related tee-shits by buying a Little Gamers tee as well as a FLCL one.

While I enjoyed being an official Tokyopop booth babe last year, the varied responsibilities of being eye candy prevented me from going to any of the cool Otakon happenings. This year I actually got to go to things--and the MST3K was amazing. For those of you who don't know, the event is basically watching bad movies and having robots make fun of them. It's like what we do at home, but with robots, and they are smaller, more efficient, and better at killing then we. After MST3K there were the anime music videos, which are too cool to describe. They make me wish I had talent and such; though I should note the entire Sleep is for the Weak team plans on combining efforts (much as how the Planeteers combine their powers) to create a masterpiece tentatively called "Tamahome Being Hurt to Popular Music."

We then slept, as we are very weak.

Saturday

I think I had orange juice and a few Starburst for breakfast, and thus filled with all the important vitamins needed for activity I rejoined the con. The Anime in Academia panel was very interesting, with great guests such as Dr. Neppier from the University of Texas (who interprets the literary effects of anime) and Lawrence Eng, who runs the best damn Lain website ever. The panel focused mainly on literary interpretations of anime and how to get your professors to let you write papers on "cartoons," though attention was paid to studying the otaku population in general, which is something I'm very interested in. After that was Lianne's Fanfiction panel, which I skipped because I've heard her speech 19 times before and the panel had a bit too much of a yaoi fangirl vibe.

Later that day I bumped into Luke, Scott, and co. of the amazing webcomic Dub This. I know Luke by way of Lianne, who knows them by way of Amethist, who knows them by way of school. I then preceded to latch onto them like a leech in a vat of blood pudding and hang out with them for the rest of the day. Through them I also met Erik, the Bandai Guy cosplayer who switched his outfit to that of the Violinist of Hameln later on. Guys, here's a hint: if you ever want be hugged at a con by at least one third of the female population there, dress as Hamel from The Violinist of Hameln. There's something about poorly-animated fantasy bishounen who dispatch monsters with an oversized violin that just gets all the chicks--go figure. I should also note that not one crazed girl threw herself at me while dressed as Remiel. I guess pyramids just aren't as sexy as bishounen.


NotHayama and Lianne were among his fans, by the way. I've gotta get me a giant violin ... wait, now I get it.

Oh yes, and apparently Lianne kidnapped Jen Quick who is the creator and mangaka (artist/writer) of Soul Union. Jen danced for us, you know. We got a video of it. I'd say more about Jen and the Simion cosplayer she had in tow, but that's Lianne's job.

(Ed note: Jen Quick (from Studio Estrigious) is one of the coolest in the new wave of Western mangaka breaking into the manga market and is worthy of all adoration she receives. Soul Union used to run in I.C. Entertainment's AmeriManga anthology and Jen's now working on a new piece for Oni Press, so expect to see her name popping up more and more in the publishing industry these next few years. Also of note from AmeriManga's con lineup was the amazingly-talented Amy Kim Ganter of Reman Mythology fame, whom we also had the pleasure of meeting. Keep your eyes on these girls and their upcoming work--they'll go places if the right people discover them, believe me.)

I spent most of Saturday night talking shop and spreading gossip with the Dub This guys and Jen Quick. That's how damn cool I am--I can hang out with Internet semi-celebrities. It's why I'm a professional Hanger-On; I should have business cards made up.

Sunday

Sunday was spent madly racing about Artists Ally to get last-minute commissions, buying the rest of the FLCL DVDs in my now traditional "blow all your money the last day of the con" practice, and finally winning a game of Dead or Alive 3 with the stupid S controller (which so plagued me last year). The damn small-handed lobby is keeping me and my gigantic hands down, screw that.

All in all, this was a much calmer Otakon than last year's and I appreciate it very much. If your first con experience is reveling in a huge Dealers Room, then your second is learning how to take everything else in. Convention-absorption is a skill that only through practice and heavy drug use can truly be mastered ... the members of the Sleep is for the Weak staff slowly put in their countless practice hours in order to gain those much-desired skill points.

And take drugs. But you already knew that.