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The
Garbage Man Can
Review:
PlanetES
Updated: 04/07/04
Manga/Anime
Title
rating: PG-13; some swearing and space-related violence. It also has
physics.
-4
(or more) manga
volumes, available in English from Tokyopop
(2003-present), still running
-26-episode anime
episodes (2003-2004), complete
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It may surprise
at least seven of you, but I was a bit of a science nerd
before anime grabbed me with its disturbing tentacles. Until
tenth grade--when I realized I was pretty bad at math--I
wanted to be one of America's glorious astro-men, sent to
heroically conquer the untamed riches of the moon. Even
though I've given up my dreams of sitting on top of twelve
stories of highly explosive rocket fuel, I still enjoy the
occasional yarn about space. That's why I like PlanetES
(I'll avoid the annoying Japanese use of cAPitaL letters
in random places from now on). It's about space, plain and
simple, and it serves to remind countless adults that the
furthest point in their most idealistic dreams resided in
that great black nothing. Get back to your roots with a
little space nausea, a little cosmic radiation, and a lot
of heart. But especially deadly cosmic radiation.
Manga
The manga
is great. "Pure" is the word I would use to describe
it, with the phrase "as driven snow" following
directly after. It has a story and it sticks to it, as seinen
(older-boy shounen)
tends to do, and it works as a dramadey--two parts comedy,
one part drama, and a dash of pepper. There's no love story.
Actually, there technically is, but I'll burn that bridge
when I come to it with my large, flammable bag of mixed
metaphors. Planetes is also hard
sci-fi, which has been lacking as of late. Hard sci-fi
is science fiction with the emphasis on the science, not
the fiction; if you've read a bit of science fiction before,
Planetes would fall into the "old school" region
featuring Asimov or Clarke, not all that new "Hey,
let's go faster than light" stuff. In Planetes, you're
less likely to hear a General complain about the new tychyon
beam cannon, but you might hear the line "Oh dear God,
if we don't exert 167 Newtons of force in the direction
of the Lagrange
point, we'll fall out of geosynchronous orbit and into the
Van
Allen belt in fifty years. May God save us all!"
In the futuristic
time of Planetes, there's a lot of trash in outer space,
and that trash goes around the Earth very, very quickly.
Let's say you're in a nice little space shuttle, throwing
mice out into space to see if you can hear them scream (yah,
I said it). But all of a sudden, you get hit by a 3-kilogram
scrap of metal traveling at 8 kilometers a second, which
is about the speed of something in low orbit. That's like
being hit with an SUV traveling at 75 kilometers an hour.
(Ed note: I'm taking his word on the math of that one.)
When you factor in the relative force as a result of the
surface area, speed, and mass of whatever's hurtling toward
you, I would have to use buttons on my calculator that I
can't possibly be expected to understand. So, to summarize,
when traveling in the cold, unfeeling vacuum of space--where
accidentally falling in will cause you to simultaneously
freeze, burn, implode, and explode--the last thing you want
is a McDonald's cup hitting you with the force of a Mac
Truck.
Anyway, with
that little skip down the confetti-strewn path of numbers
behind us, someone has to get that trash out of space. There's
no one better to do that than a team of spunky space garbage
collectors, working for a giant corporation as the bottom
of the barrel Half-Division. The Half-Division can just
barely stay in the black--bad ships, bad equipment, and
bad food all combine to create a group of blue-collar workers
trying to keep space clean despite the odds.
The manga focuses
on Hachimaki Hoshino, a loud, boisterous son of a gun with
one goal in mind: buying his own spaceship. Buying a spaceship
is hard; it's like buying a 747, you don't. Hachimaki's
plan is to get on board an experimental ship headed for
Jupiter, and let his pay accumulate over the four year mission.
But no matter how you slice it, Hachimaki has the same chance
of getting on this mission as a garbage man has of owning
his own space shuttle. In order to train, he spends as much
time as he can doing EVAs (not the gigantic robots, Extra
Vehicular Activities--space walks to you and me) and getting
bashed, broken, and sterilized by interstellar radiation
more times than you can count...though the last one doesn't
hurt as much anymore. When the mangaka Makoto Yukimura wanted
to quit writing early for a day and drink, he threw in a
quick chapter about someone being stuck outside during a
meteor shower/solar flare/pirate attack. This doesn't happen
as often in the manga as it does in the anime, and is a
sure sign that someone is propping up the Sake
industry.
Other characters
include Fee, the pilot of their space dumptruck and a swearing,
chain-smoking woman who's saved the Earth on more than one
occasion, a feat for which she got two weeks paid vacation.
Yuri is the brooding Russian who cleans up space as a testament
to his wife (who was killed in a space-debris-related accident).
Hachimaki's dad, Goro, also comes into play in the second
and subsequent volumes as a sort of Buzz
Aldrin who's less famous than that Aldrin fellow. When
Goro's not apologizing to his wife for not retiring yet,
he's fending off terrorist attacks and making fun of Hachimaki's
large head.
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And
finally, the love interest. What's a seinen space manga
with out a little Zero-G loving? (That's actually a joke,
since as far as I can tell the manga is clean as driven
snow.) The Girl Tanabe enters the manga in the second volume
as a new garbage collector who's to be trained by Hachimaki.
She's moralistic, self-righteous, and very, very stubborn.
She's one of those people who moralizes everything, such
as "Why should we dispose of this floating casket,
despite its grave navigational risk? There's someone's body
inside!" or "Why should we kill those space-terrorists,
they're people, too!" See? How are you supposed to
do anything with a girl like her around! However, no matter
how annoying she is in the manga, she's ten times worse
in the anime.
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I found this picture while doing
a Google image search for "PlanetES." I think
it says "I surrender."
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The plot of
Planetes is very well done. The overall arc seems to be
about Hachimaki trying to get on that Jupiter ship, but
it allows sufficient room for everyone else to have their
own little side arcs and growth. However, it should be noted
that while Yukimura-sensei is great at making you care about
the characters in small doses, he's very bad at overarching
plots. Take, for example, the stupid hippie space terrorists
who every once in a while blow something up. They're a major
feature throughout volume two of the manga, but suddenly
with the line "After that, SDL [the terrorist group]
activity ceased abruptly," that entire plot arc ends.
Don't come into this manga expecting a space opera like
Gundam--this is garbage men making it in a world they don't
understand.
But beyond the
satisfying story, I just like how this manga did its research.
I'm not sure if it's the original author or the amazing
English adaptation by Anna
Wenger, but the Tokyopop manga just flows. All the science
terms are correct, such as the Kessler
Syndrome (where space debris creates more debris exponentially)
when Fee saves the geosynchronous orbit, or the fact that
the experimental spaceship is called the Von Braun, named
either after the inventor
of the V2 rocket or the spaceship from System
Shock 2. I suspect that it's the former, but I hope
it's the latter. A search on Google turns up references
to Kessler from the University of Colorado and Atlantic
Magazine, so it's the real thing. This manga also features
the ghost of Yuri Gagarn, the first man in space,
and thus demands your reading.
Anime
I like to think
of the Planetes anime as something like a hot dog: 5% original
content, 90% filler,
and 5% raccoon. It's like an animation company bought the
rights to the manga and said "Hey, I like the idea
of space garbage men, and I like the names, but let's change
everything else!" Then they ritualistically killed
a dog, because that's what evil people do.
The show is
almost completely different from the manga. A slew of new
side characters are introduced (whether or not they actually
show up later in the manga is currently unknown to me)--new
office workers and management people, Arvind the fat manager,
Chenshin the office magician/assistant manager, Claire the
space-temp, and people who create unneeded love stress between
Hachimaki and Tanabe. The budding romance between Tanabe
and Hachimaki is a large part of the anime and takes up
a majority of the first 13 episodes. Unlike in the manga,
where Tanabe is introduced in the second volume, she's front
and center in the first episode of the anime. I can't say
I like the unoriginal romance, as it's a simple case of
Hachimaki going from "I hate girls like they killed
my dog" to "Girls can do things to me that feel...nice."
Pretty boring if you've ever seen a Hugh Grant movie.
While the manga
has its funny moments, the anime tries far harder to be
a comedy. If the jokes were funny, this would be good, but
they're not. Most of the humor revolves around Hachimaki
being bad around girls and "hilarious" corporate
politics. I've watched up to episode 17 at this point, and
only a few of the better chapters from the manga are appearing.
The anime is a very episodic thing that doesn't work well
with the continuos plot of the manga--that means filler,
and lots of it. That doesn't mean the show is completely
bad, since there are some good filler episodes (especially
the space ninjas from the moon who make life better), but
there are also absolutely horrendous fillers, like
the episode where Claire goes after her former pimp. The
show averages out to be mediocre.
One little thing
that I did like about the anime is that they don't do sound
in the space scenes. See, in this whole real world thing,
sound doesn't travel well in space due to the lack of a
medium for it to travel in. Most sci-fi shows will have
sound effects like lasers, engines, and ships flying by,
basically because they sound cool. The Planetes anime just
has music, which adds a bit of realism to the show. At least
the anime keeps the same hard science fiction as the manga.
No giant robots fighting it out with lasers here, just delta
V force and stirring the oxygen tank.
The Planetes
anime also suffers from the common failure to introduce
plot until two thirds of the way through the show that I've
been bemoaning
recently. Only by episode 17 have they finally gotten
on track for the Jupiter mission. Before this it seemed
like they were toying with the idea of a conflict between
the space police (or as I like to call them, Pigs in Spaaaace!)
and one of the head office workers who's from a country
being repressed by them, but so far nothing has come of
that. If they just took the manga and animated it, ala Kare
Kano, the show would be great. But they didn't so it's
not, case closed.
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Overall
Buy the manga,
it's good. We need to convince Tokyopop to buy more non-gothic
manga, and giving them money for other genres is the
only way to do so. If you like futuristic waste management
policy as much as I do, watch the show, but don't go out
of your way to see it. The raw anime is also good for our
readers who can't read.
Manga:
4 out of 5 Stars
Anime:
2.5 out of 5 Stars
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These are the space ninjas. They
are different from you and me.
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| Text copyright
© Bad Jew, April 2004. Pictures are copyright ©
their respective owners and are used without permission for
this nonprofit review. |
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